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International Garden Festival |
Hortillonnages Amiens 2023
Visit of the exhibition by boat


CAMON / PORT À FUMIER – Boat trip
Boarding pontoon
35 rue Roger Allou – 80450 Camon

In CAMON, rent a boat for 2h30 and sail to the different plots invested around the pond of Clermont.

The rental price of a boat is based on the number of people, from 1 to 6 max. including child(ren) under 3 years old
* 20€ / 1-2 people. * 27€ / 3-4 people. * 32€ / 5-6 people. * free -3 years old
+ ASCO fee per person: €1 / 11 years and + * €0.50 / 3-10 years
>>> Only by online reservation
To read the terms and conditions of sale, click here
For security reasons, animals are not allowed in the boats. Strollers must be dropped off at reception.


We invite visitors to continue to respect barrier gestures in order to fight against the spread of COVID-19.
If you want more details, we invite you to consult the evolution of the reception instructions and the health rules in force on the government website: https://www.gouvernement.fr/info-coronavirus


For any request for information, you can send an email to communication@artetjardins-hdf.com
or call +33 6 78 53 55 92

Looking forward to welcoming you soon!

The team of Art & Jardins | Hauts-de-France

Affaissement > Simon Augade, 2019

Affaissement > Simon Augade, 2019
Tuesday April 23rd, 2019 Marine Bigot
  • Simon Augade © Yann Monel
  • Simon Augade © Yann Monel
  • Simon Augade © Simon Augade
  • Simon Augade © Yann Monel

Between two banks of the Étang de Clermont, a pale coloured column, of unstable appearance, is retained by a tangle of scorched wooden supports. Affaissement, the work of visual artist Simon Augade, symbolizes duality, the in-between. Since antiquity, the column has been an architectural symbol of power and stability, supporting temples and palaces. Here, the column, supported by a tangle of scorched supports, which can be likened to scaffolding, loses its monumentality and poses questions. Faced with this installation neither fallen nor upright, neither column nor beam, the viewer can only wonder if this artificial element, placed between two shores, is either a structural deficiency or an attempt to elevate it. Playing with this transitionnal state, the visual artist develops an analogy of the landscape of the Hortillonnages, this territory between land and water, between nature and culture, subjected to instability due to the fragility of the banks.

The artist

Simon Augade

Born in 1987 in the Hautes-Pyrénées, Simon Augade graduated at the École Européenne Supérieure d'Art in Brittany, he lives and works in Lorient. In the sculpture-installations, his visual art broaches the notion of duality, seeking to highlight the precariousness and short-lived nature of our lives and of our built-up areas.