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International Garden Festival |
Hortillonnages Amiens 2023
Visit of the exhibition by boat


CAMON / PORT À FUMIER – Boat trip
Boarding pontoon
35 rue Roger Allou – 80450 Camon

In CAMON, rent a boat for 2h30 and sail to the different plots invested around the pond of Clermont.

The rental price of a boat is based on the number of people, from 1 to 6 max. including child(ren) under 3 years old
* 20€ / 1-2 people. * 27€ / 3-4 people. * 32€ / 5-6 people. * free -3 years old
+ ASCO fee per person: €1 / 11 years and + * €0.50 / 3-10 years
>>> Only by online reservation
To read the terms and conditions of sale, click here
For security reasons, animals are not allowed in the boats. Strollers must be dropped off at reception.


We invite visitors to continue to respect barrier gestures in order to fight against the spread of COVID-19.
If you want more details, we invite you to consult the evolution of the reception instructions and the health rules in force on the government website: https://www.gouvernement.fr/info-coronavirus


For any request for information, you can send an email to communication@artetjardins-hdf.com
or call +33 6 78 53 55 92

Looking forward to welcoming you soon!

The team of Art & Jardins | Hauts-de-France

Isola – Manon Biscosi, 2025

Isola – Manon Biscosi, 2025
Monday April 7th, 2025 Zoé Gambier

© Manon Biscosi

The Hortillonnages site in Amiens was formed by the widening of the Somme River over the silt of the alluvial plain. Since its formation, it has been a fertile landscape of peninsulas and islands connected by waters that are both flowing and still, as reflected in the unique atmosphere of the place. The identity of the site has developed around several balanced dynamics. It is a semi-natural environment that has now stabilized: a suburban area with recent leisure activities alongside older agricultural uses, as well as practices of bank restoration and waterway dredging.

The installation is located in a space that exemplifies the delicate balance at work in the territory: on the banks of an island. More than the peninsulas, the islands concentrate the site’s intrinsic characteristics and are even more vulnerable. The location of the artwork highlights this space of relative balance between the emergent land and the water’s surface.

Isola, from the Latin for solitude, encircles the island area. It guides the gaze toward this patch of land: the landscape as an artistic space, while also allowing it to be perceived as a “biological reserve”: the landscape as an ecological environment.

Isola takes the form of an ellipse above the water, whose gently curved surface can host living elements: stagnant water, germinating seeds, and the resting of insects, amphibians, or birds.

The installation protects the small island territory: it acts as a pre-barrier, slowing the erosion of the banks and helping retain the soil. Over time, it becomes a modest piece of landscape — an extension of the island’s environment and a floating object between the aquatic and terrestrial worlds. For visitors, Isola encourages a curious approach to the isolated island without stepping onto its ground.

Its fixed position emphasizes the variations in water levels: it sits thirty centimeters above the water surface in homage to the height of exceptional floods in the area. Its disappearance is entirely possible.

Isola thus captures the landscape’s movements: the shifting boundaries of land and the flow of water. It accentuates the blurred, living contours of the island and opens the way for a weightless exploration around this small patch of land that embodies the identity of the Hortillonnages site.

The artist

Manon Biscosi

Manon Biscosi is a landscape architect, a graduate of the Versailles School of Landscape Architecture. Through Espace Analogue (2023), based in Paris, she explores the relationship between art and landscape. Her practice aims to highlight the sensitive connection between humans and their environment through the design and construction of gardens and public or private spaces, as well as the creation of temporary or permanent outdoor art installations. She develops a working method rooted in an exploratory phase focused on the geographical specificities of a site and a material-based artistic research of the landscape’s components. Her work seeks to offer a reading of reality that reexamines the visitor’s or user’s perceptions.
Voir la fiche artiste — Manon Biscosi