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International Garden Festival |
Hortillonnages Amiens 2023
Visit of the exhibition by boat

Boarding pontoon
35 rue Roger Allou – 80450 Camon

In CAMON, rent a boat for 2h30 and sail to the different plots invested around the pond of Clermont.

The rental price of a boat is based on the number of people, from 1 to 6 max. including child(ren) under 3 years old
* 20€ / 1-2 people. * 27€ / 3-4 people. * 32€ / 5-6 people. * free -3 years old
+ ASCO fee per person: €1 / 11 years and + * €0.50 / 3-10 years
>>> Only by online reservation
To read the terms and conditions of sale, click here
For security reasons, animals are not allowed in the boats. Strollers must be dropped off at reception.

We invite visitors to continue to respect barrier gestures in order to fight against the spread of COVID-19.
If you want more details, we invite you to consult the evolution of the reception instructions and the health rules in force on the government website: https://www.gouvernement.fr/info-coronavirus

For any request for information, you can send an email to communication@artetjardins-hdf.com
or call +33 6 78 53 55 92

Looking forward to welcoming you soon!

The team of Art & Jardins | Hauts-de-France

Dimensions of Peace > Chinese Garden of Peace, 2021

Dimensions of Peace > Chinese Garden of Peace, 2021
Friday November 12th, 2021 Marine Bigot
  • Tian Tian, Wang Di, Chu Junmin & Gouyou-Beauchamps Laurent © Tian Tian, Wang Di, Chu Junmin & Gouyou-Beauchamps Laurent

Dimensions of Peace > Chinese Garden of Peace, 2021

During the Great War, Noyelles housed a large British rear base, including a camp for Chinese workers. 80,000 Chinese workers passed through this camp. In 1921, the British government decided to build a Chinese cemetery at Nolette, on the site of the old camp. 841 Chinese workers are buried in this cemetery. Most worked in this camp between 1917 and 1919.
Located in front of the cemetery, at the parking lot, the Chinese Garden of Peace “can serve as a bridge that connects memories and distant places, from where the imagination can jump freely between the divergent dimensions of this story, to measure and think about the eternal question of peace. [The] garden is quietly and perfectly nested in the surrounding fields. It almost disappears into the vast agricultural landscape, like the memories of the war and the souls that rest here. At the same time, the garden poetically evokes the larger landscape of memory. A narrow sandy path leads us from the car park to the garden, blending into the open and gently rolling fields that surround it. The driveway passes the remarkable cemetery arch to the right, and the cemetery walls loom through the tall crops that make up most of the garden. After passing in front of the arch, the path splits in two: one curves towards the arch, leading the visitor into the cemetery; the other goes towards the heart of the fields, towards the east. […] Curiosity takes the visitor to the end of the “memory trail” where he finds a stone bench. The visitor is invited to sit alone and take a break. To his right, the fingers of the visitor seated on the bench touch words carved on the surface of the bench, interwoven with small Chinese characters and their French translation. This is an introduction from the diary of Gu Xingqing, the Labour Corps translator, which describes an extraordinary spectacle of celebration at the end of the war. The experience will be as sensitive as a dream and as real as those delicate letters under the fingertips. The absolute loneliness evoked by the abrupt end of the path highlights all the contrasting dimensions of peace. As the visitor turns back to the cemetery, his eerie, lonely existence facing the vast open field now looks pleasant. […] Grass will be the main essence of the garden, small flowers will creep in like wild flowers, like in the middle of a wheat field. Stones may come to emphasize the route. In the fall and winter, once the crops have been mowed, these stones will continue to mark the course. The laborious work of mowing and semi is part of the life of the site and the imagination of the action that we wish to propose: A “harvest festival” could celebrate this agricultural event at the end of the summer, with a handmade work in which the Chinese community could participate, in shared effort, poetry and celebration. ”

Project by TIAN Tian, WANG Di, CHU Junmin & GOUYOU-BEAUCHAMPS Laurent

The artist


"TIAN Tian, ​​landscaper, and WANG Di, historian, worked together to design and build the“ Levant ”garden for the Festival des Jardins de Chaumont-sur-Loire in 2017. TIAN Tian, ​​CHU Junmin, and Laurent GOUYOU BEAUCHAMPS were first met in China in April 2019, during the workshop organized in Tianjin for students applying for CIEPT-19'20 of ENSAPBx. Tian and Junmin participated in this workshop with Chinese students. This first exchange was the opportunity for Tian, ​​Junmin and Laurent to discover and share their convergence of views on issues relating to territory, landscape and heritage. From the announcement of this candidacy for this Garden of Peace project in front of the Chinese cemetery of Noyelles-sur-Mer, Tian and Laurent wished to form a Sino-French team, certain that we would have the same desire to reflect and work together on a project that could bear witness to this little-known story of the “Chinese Coolies”. Tian, ​​by associating Junmin with the team, also wished to integrate Di, as a historian, to support our reflection on the history of the “Chinese Coolies” who came so numerous in Europe and in France, to have a “height view ”necessary for the symbolic scope of this future garden. " TIAN Tian, ​​WANG Di, CHU Junmin and GOUYOU-BEAUCHAMPS Laurent